I hear band names, and some of them don’t even know they’re bands. Prefork, The Govs, Podium California – those are just the three most recent. The names just jump out from unsuspecting places and in some quantum sense, a band forms. And I’m not the only one.

And the problem with fake band names is that once you start looking for them, you see them everywhere. You start assigning genres, idiosyncrasies, member names, album art. If you know your music history – this is exactly how Def Leppard started.

Sometime over the past year, I started tweeting the band names I’d find in CAPTCHA codes at Mixx.com. And I wasn’t alone. The volume of CAPTCHA bands started to increase with new discoveries found daily. At Twitter events, I’d end up talking about CAPTCHA bands with other users – Brad Carr, Dean Browell, and Carrie Fleck being the three other local CAPTCHA band spotters.

Yesterday morning I received a DM and Facebook message from, good guy and friend of the blog, Dean Browell. He was taking the CAPTCHA band mini-meme to the next level – a Facebook Fan Page.

The idea is just as simple as the Twitter action we’d been doing for the better part of a year now, albeit in a bit longer form and benefiting from multimedia. I quickly roped Justin into the group, swallowed my rather strong dislike for Facebook, and jumped in.

So far, we’ve managed to get six CAPTCHA bands up, and I’ll include one of them below. If you’re into that whole Facebook thing, and you’d like to Fan the page, here’s a link. It’s still early, but there’s some quality stuff up there.

The Govs
Prison State

Orange County in the late seventies was known more for it’s love of disco and The Eagles than it was of the proto-punk movements developing in Detroit, London, Manchester, and New York City. But when Steve Greer’s disco-glitter band, The Lovelights, signed with Columbia Records, the teenage Lester Greer had enough.

Adopting the stage name “Butch” and teaming up with two fellow teenage ne’erdowells, the younger Greer brother launched what is arguably the first SoCal proto-punk band – The Govs. With much of the band lacking anything close to musical talent, and having spent most of their lives in the well-to-do Los Angeles suburb, the trio overcompensated with profanity and aggression.

The band’s first album, “Screw California”, was twelve adaptations of the Richard Berry classic “Louie Louie” with alternate lyrics and a tempo that clocked each track in a mere ninety seconds. But the messages, deriding the recently ended Vietnam War, the disastrous Nixon presidency, and a perceived Orwellian police state in which “the government collud[ed] with corporate interests to enslave the masses” resonated with the students of Laguna Beach High School.

The lo-fidelity honesty of the first album was quickly lost as parents of band members fronted the money for a true demo, the better known “Prison State.” Under the tutelage of a Benny Stills, a failed musician in his own right, Greer and his cohorts were put through the paces in a real studio, instructed in the use of their musical instruments, and given a basic understanding of song writing.

The experience is believed to have been detrimental to the outcome of not only the album but also the band. Produced to within an inch of its life, the Govs’ second album was derided as derivative, meritless, lacking in real world experience, and nearly causing the death of punk before the burgeoning genre was truly alive.

Several record labels professed an interest in Prison State, and it received a rather wide release. The band, however, broke up shortly after completion and thus never toured in support of the record. The impact of Prison State was far greater than any involved could have predicted, and is seen as a major influence on modern day acts such as Green Day and Nickleback.