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	<title>Comments on: NBC&#8217;s Monday Night Needs Saving</title>
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	<link>http://www.bradleyrobb.net/on/writing/nbcs-monday-night-needs-saving/</link>
	<description>Writing That Puts Story First</description>
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		<title>By: the hero: love story of a spy</title>
		<link>http://www.bradleyrobb.net/on/writing/nbcs-monday-night-needs-saving/comment-page-1/#comment-5600</link>
		<dc:creator>the hero: love story of a spy</dc:creator>
		<pubDate>Fri, 05 Mar 2010 14:42:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.bradleyrobb.net/on/?p=349#comment-5600</guid>
		<description>[...] hero always is the one who is unhurt, unscathed. The other side of the story has to how mankind ...NBC&#039;s Monday Night Needs Saving &#124; Bradley Robb - Writing That ...Heroes is falling faster than Nathan without his powers. Chuck is on the verge of becoming stale. [...]</description>
		<content:encoded><![CDATA[<p>[...] hero always is the one who is unhurt, unscathed. The other side of the story has to how mankind &#8230;NBC&#39;s Monday Night Needs Saving | Bradley Robb &#8211; Writing That &#8230;Heroes is falling faster than Nathan without his powers. Chuck is on the verge of becoming stale. [...]</p>
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		<title>By: P. Bradley Robb</title>
		<link>http://www.bradleyrobb.net/on/writing/nbcs-monday-night-needs-saving/comment-page-1/#comment-125</link>
		<dc:creator>P. Bradley Robb</dc:creator>
		<pubDate>Sat, 06 Dec 2008 00:33:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.bradleyrobb.net/on/?p=349#comment-125</guid>
		<description>I&#039;m with you on the Heroes bit. It&#039;s suffering a lot from the writers not seeming to say no. Or at least appearing to. Instead of finding a tight structure and sticking to it, they&#039;re going off in a million directions at once and everyone is losing because of it.</description>
		<content:encoded><![CDATA[<p>I&#8217;m with you on the Heroes bit. It&#8217;s suffering a lot from the writers not seeming to say no. Or at least appearing to. Instead of finding a tight structure and sticking to it, they&#8217;re going off in a million directions at once and everyone is losing because of it.</p>
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		<title>By: Leon</title>
		<link>http://www.bradleyrobb.net/on/writing/nbcs-monday-night-needs-saving/comment-page-1/#comment-123</link>
		<dc:creator>Leon</dc:creator>
		<pubDate>Fri, 05 Dec 2008 23:54:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.bradleyrobb.net/on/?p=349#comment-123</guid>
		<description>I don&#039;t know about the other shows, but Heroes is the one I care about. So sad to see it wane like this.</description>
		<content:encoded><![CDATA[<p>I don&#8217;t know about the other shows, but Heroes is the one I care about. So sad to see it wane like this.</p>
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		<title>By: P. Bradley Robb</title>
		<link>http://www.bradleyrobb.net/on/writing/nbcs-monday-night-needs-saving/comment-page-1/#comment-93</link>
		<dc:creator>P. Bradley Robb</dc:creator>
		<pubDate>Tue, 25 Nov 2008 17:57:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.bradleyrobb.net/on/?p=349#comment-93</guid>
		<description>Thanks Ethan.

The way I see it, Chuck can only end one of three ways: 
1 Chuck ditches the Intersect, gets Sarah, and lives happily ever after (pure comedy ending)

2 Chuck keeps the Intersect, overcomes the hardships of his past, gets the girl, and becomes a full-fledged spy (the triumph ending)

3 Chuck either keeps or ditches the intersect, but loses Sarah and becomes a full-fledged spy, intent on eventually overcoming the missing External force (the dark ending).

The show runners need to pick one of these and move the show towards them. I&#039;m half tempted to just start banging out spec scripts for the show.</description>
		<content:encoded><![CDATA[<p>Thanks Ethan.</p>
<p>The way I see it, Chuck can only end one of three ways:<br />
1 Chuck ditches the Intersect, gets Sarah, and lives happily ever after (pure comedy ending)</p>
<p>2 Chuck keeps the Intersect, overcomes the hardships of his past, gets the girl, and becomes a full-fledged spy (the triumph ending)</p>
<p>3 Chuck either keeps or ditches the intersect, but loses Sarah and becomes a full-fledged spy, intent on eventually overcoming the missing External force (the dark ending).</p>
<p>The show runners need to pick one of these and move the show towards them. I&#8217;m half tempted to just start banging out spec scripts for the show.</p>
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		<title>By: ethan</title>
		<link>http://www.bradleyrobb.net/on/writing/nbcs-monday-night-needs-saving/comment-page-1/#comment-92</link>
		<dc:creator>ethan</dc:creator>
		<pubDate>Tue, 25 Nov 2008 17:39:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.bradleyrobb.net/on/?p=349#comment-92</guid>
		<description>bravo and well put, NBC totally needs to hire your pen.

I agree with your Heroes analysis, people need to die and fast (if the audience squawks they can always time travel and bring them back).

Chuck is the new &quot;Get Smart&quot; (not the lame attempt at a movie but the old school TV show) he needs to leave the local Buy Moria sphere on occasion, get a nemesis (perhaps from Stanford) and over extend his double life. After a dozen episodes he can have spidermany thoughts of meaning and purpose and reinvent himself later.</description>
		<content:encoded><![CDATA[<p>bravo and well put, NBC totally needs to hire your pen.</p>
<p>I agree with your Heroes analysis, people need to die and fast (if the audience squawks they can always time travel and bring them back).</p>
<p>Chuck is the new &#8220;Get Smart&#8221; (not the lame attempt at a movie but the old school TV show) he needs to leave the local Buy Moria sphere on occasion, get a nemesis (perhaps from Stanford) and over extend his double life. After a dozen episodes he can have spidermany thoughts of meaning and purpose and reinvent himself later.</p>
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